The surname Suffoletto: heraldry, coat of arms and coat of arms

If your surname is Suffoletto, surely on more than one occasion you have wondered about the heraldry of the surname Suffoletto. Likewise, you might be interested if the surname Suffoletto belongs to a relative of yours or someone very important to you. The heraldry of surnames is a fascinating world that still attracts a lot of attention today, and that is why more and more people are asking about the heraldry of the Suffoletto surname.

The heraldry of Suffoletto, a complicated topic

Sometimes it can be very confusing to try to explain how the heraldry of surnames works, however, we are going to try to explain the heraldry of the surname Suffoletto in the simplest possible way. We recommend that to better understand everything we are going to tell you about the heraldry of the surname Suffoletto, if you are totally unaware of how the coats of arms and heraldry came about, go to our main page and read the general explanation we give you there, that way you can better appreciate everything we have compiled about the heraldry of the surname Suffoletto for you.

Coat of arms, coat of arms and heraldry of Suffoletto

Similarly, and to make things easier, since we understand that most of the people looking for information about the Suffoletto surname heraldry are especially interested in the coat of arms of the Suffoletto surname, its composition, the meaning of its elements and if there are several coats of arms for the Suffoletto surname, as well as everything that may have to do with the coat of arms of the Suffoletto surname; we have taken the liberty of being flexible and using the words heraldry and coat of arms interchangeably when referring to the coat of arms of Suffoletto.

Contributions to the heraldry of the surname Suffoletto

We hope that the flexibility on the coat of arms of the Suffoletto surname will not be taken as a lack of seriousness on our part, since we are constantly investigating to be able to offer the most rigorous information possible on the Suffoletto coats of arms. However, if you have more information about the Suffoletto heraldry, or you notice an error that needs to be corrected, please let us know so that we can have the biggest and best information on the net about the Suffoletto coat of arms, explained in a simple and easy way.

  • Badly cut - 1. Indicates the sleeves of a dress when they are not represented complete. Very old figure of European armor.
  • Capelo - 1. Timbre used in ecclesiastical heraldry. Gulls lined, with fifteen tassels pending cords placed in pyramidal form used by cardinals. Of sinople with ten tassels for the archbishops and with six of the same color for the bishops,
  • Compted - 1. It is said of the piece that is composed in alternation with calls called compes, color and metal in a single row, you have to list the amount of them. In the case of an edge, composses can be irregular, it is advisable to indicate them.
  • Crossed - 1. Apply to the pieces that carry an overlapping cross. 2. It is said of the gentleman that enlisted for some crusade. 3. It is said of any figure that at its upper end is added a cross, usually the globe and flags.
  • Cruz de Santo Domingo - 1. Cruz Flordelisada and Gironada de Plata y Saber, who painted their families of holy trade to their weapons. Also called Cruz de los Preachers.
  • Equilaterals - 1. Term used by some armorialists to designate the pieces or figures ordered in 1 and 2. (V. well ordered).
  • fair - 1. Combat on horseback and with a spear in which the medieval knights made in tournaments and large military parties or chivalrous to demonstrate their expertise and skill in the management of weapons. (V. Tournament).
  • Harp - 1. It is wrongly said by some heraldists by Dante. (See Dantelado).
  • High faith - 1. Ancient authors used this phrase to designate the sword pointed up. (V. high).
  • Nation, weapons of - 1. They are those used by nations, kingdoms and republics.
  • Rampante Leon - 1. The rampant lion is the most used figure in the Spanish heraldry, and to a lesser extent in the European, its position is the one lifted on its hind rooms with the front claws in an attack position. (See rampant).
  • Sacred Ceremonies Figures - 1. Báculos, candelers, candles, bells, custodians, copones, reliquaries and rosaries, their enamel and situation in the shield must be indicated.
  • Shaded - 1. Said of the pieces and figures that are not flat and mark a shadow. In some treaties it is indicated that furniture must paint plans, without shadows or reliefs.
  • Vallar - 1. It is said of the Vallar Crown which some of its components have been modified imitating the Paliza. (V. Corona Vallar).